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Richard Lainhart : ウィキペディア英語版 | Richard Lainhart
Richard Lainhart (February 14, 1953 – December 30, 2011) was an American composer, performer, and filmmaker. He is best known as a composer of electronic music that combines analog and digital instrumentation with extended performance techniques〔NewMusicBox〕 derived from traditional acoustic instruments. Lainhart's music is particularly associated with the renaissance of modular analog synthesis,〔NME〕 and frequently performed with a Buchla 200e modular synthesizer controlled by a (Haken Audio ) Continuum multidimensional keyboard controller. ==Early influences== Originally from Vestal, New York, Lainhart studied electronic music at the State University of New York (Binghamton) from 1971-1973. In 1973 he worked with director Nicholas Ray on the soundtrack to one of Ray's final films, ''We Can't Go Home Again'', although Lainhart's score was not used in the final version. Lainhart earned his bachelor's degree in music from the State University at New York at Albany, where he studied composition and electronic music with composer Joel Chadabe and worked extensively with the Coordinated Electronic Music Studio (CEMS), at the time the largest integrated Moog modular synthesizer system in the world.〔State University of New York at Albany〕 While a student at Albany, Lainhart assisted and performed with many celebrated guest composers, including John Cage, David Tudor, Phill Niblock, David Behrman, Beth Anderson, Luis de Pablo, Harley Gaber, Daniel Goode, and Giuseppe Englert. Throughout his early musical career, Lainhart mastered numerous traditional instruments in addition to his electronic explorations, playing bass in several rock bands and eventually heading the popular swing jazz ensemble, Doc Scanlon and The Rhythm Boys, performing on mallet instruments and keyboards.〔PureMagnetik〕
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